Good day.
Let me as one of the authors, and as a person involved in large-format printing to their opinion.
So, what we want:
We want to get a beautiful picture on the material of a certain type. Ie I want my big photo on canvas. And, please, I'm going to print the agency and print his or her photo.
Following the format of communication, I want a copy of a painting by famous artist. I go to a special company that specializes in the manufacture of printed copies of paintings by.
And the third view, I would like the author's work, and go to the relevant company or in the gallery or on the "collapse". Where can I sell now.
This is an ideal system "without external influence"
What I have at the output. The first two paragraphs - I can control, and, therefore, know all the risks to which I go.
In the latter case, even the most prominent gallery does not have insurance from "fake" because the print - not the author's work. Even if he signed it (and not even trying to persuade me).
Read more. Each "self-respecting" the seller, and never for anything not recognized that this print - not an author's work, do not tell me that it is made to order, etc. I can some people say, where and on what they publish and do not care: "This author's work", "This is art", "This is a masterpiece."
The mentality and culture of communication, and all that, we cover the rear.
I am a specialist in working with materials, I can honestly say that the media conventional paint can do unique work, this specific material. NO PRINT - it always print! And work on the "unique materials using modern technology" is a new area.
Z.y. It is my opinion, and it is based on "presence in the exhibition hall of the Central House of Artists" issued by a floor under the art digital printing.
Sincerely, Paul MOKHNACH
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