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Сообщение от Seriy
LCR
Well, that's the difference between the work of Martha and works by Natalia Nesterova?
In addition to the price?
This type of order, there is a great robe, but that he has coveted designer decides - what for him to sew on buttons. A tailor all the same-good.
I think, of course, such people with such considerations, somewhere there, but they are unlikely to give advice.
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I will not discuss the difference between Martha and Natasha from an aesthetic point of view.
And if ignored, will have to admit that it is a little matter of luck. Natasha was lucky: she was born in Moscow, where more opportunities, she found his circle of admirers, finally, a decent and quite clever dealer in H-J really loves her work and promoted it for many years now - publishes, exhibits. Incidentally, it was the initiator of the appearance of her works at the auction Phillips de Pury, that is, organizing its primary market, he started secondary.
Concerning the designer to decide what buttons to sew on a dressing gown, I remember a famous artist now, quite honestly shocked by the works of Roginsky, gave him advice - advice is in terms of how to do the work sold (that he can do very well).
"The old man, - he said - it's just brilliant. But here - and he showed his hand - it is necessary, you know, stick ...".
I looked at the absent expression Roginsky, who nodded his head and thought about something else, and I was terribly funny and a little sorry for wasted energy of our friendly friend ...