Цитата:
Сообщение от Seriy
Nate, I'd warn you of an infatuation with dry pigments, if you just do not know the chemical composition of the pigment and the impact of each element on the body. Most pigments are toxic, many, such as cadmium, high-toxic-enough no body in the body millionths of a gram, so as to cause irreparable harm to the body - see the network. Under the rules, with dry pigments can work only in a special glass box through the glove êàî-NOT in any way.
When the pigment is overwritten with butter, he flies through the air and enters the body. Although now have to recommend, even with oil or switch to simulate toxic pigments or work in ordnorazovyh plastic gloves.
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Цитата:
Сообщение от Seriy
K-Maler, Kiplika not find, because modern authors do not want to write a guide to modern oil painting, then be hell to pay the claims and accusations.
No, the foundation, you probably have a view of the pigment - for 100 years has changed radically. Or you write ultramarine natural turquoise? cinnabar (mercury) - a huge list? Titanium white powder was not.
I have found the lead, incidentally. Any FC-Kiplik never heard of.
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Of course, it is necessary to examine thoroughly all ..
Added after 29 minutes
Now pigments (dry) offers a directory "greatart": "Gercshtatcker" (49sht) and "Schminke" (72sht).
It says
my translation)
"The studio pigments are arranged (mixed?) Of pure pigments as they are or should be in all the best artists paint (art paints ?).."
Original text: ... The studio pigments are composed of the pure pigments as they are, or should be, in all the best artist's colours ..
But we can all ask, they are always happy to tell all ..
Paints in tubes only in 1872, appeared ...
And before that were ground in the old .. and much later, too (if only because enertsii thinking)
I wonder when the tubes have appeared in Russia?
When it was published the first edition Kiplika?
Experience Kiplika likely based on the "old paint" ..