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Сообщение от ranzher
But, nevertheless, the pictures carry several formal features, which allow us to definitively say that this is a fake.
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Did not want to publicly dismantle these formal features, but, apparently, have.
There is a familiar collector, specialist in Falk, who described how in the middle of the 90's gang of counterfeiters who were based in Israel, then from time to time offered him their next opus. He explained to them in detail, why a little thing not Falk. So, each new fake no longer contain errors earlier. Quickly learn to "master".
We naedyatsya that our handyman is not out of the team.
Let's start with the front side.
Author forgery can not do color stretch. At least, so brilliantly, as it is obtained from O. Tsalkova. Just look at him any work, even the photos posted in this topic to see a huge difference.
In the 60-ies Oleg Tselkov worked fine colors, what color was the one and squeezed, no mixing. Simulator mixes, matches colors, trying to get to the color of the original. The result - not the exceptional intensity of the color that is present in the paintings Tsalkova.
I'm not going to talk about the obvious flaws in the composition. Assume that it is as if one of the options failed, for some reason is not destroyed by the author.
We turn to the reverse side.
From the photographs we see that this is an ordinary art canvas.
We Tsalkova at that time there was such a canvas, because they were not in the stores, like many others, and in the shops of the Union of artists selling only their own.
Tselkov bought in special shops sewing workshop so-called crinoline, fabric built into the suits between the main fabric and lined to maintain shape.
He pasted it on the aviation plywood, which is subscribed to by his father at a factory in Tushino allegedly for the needs of Horticultural house.
Special glue for such purposes, too, was only in the SC, so you had to use food gelatin, bought with hard kilograms in grocery stores.
And on this fabric glued to plywood were written at the time painting.
I leave frame and stretch the canvas. We assume that this was done by someone afterwards.
Proceed to the signature. It is made, it seems, but the writing did not realize that Tselkov never wrote a technique, that is, in this case, oil on canvas, but only the size, as in the example.
These formal criteria, I think, quite enough to confidently identify these pictures as fake.