Цитата:
Сообщение от ranzher
Indeed in the compilers have been difficulties with regard to the nationality of some artists. In looking at some they are not so distinct.
Chaim Soutine (Workshop massacre) - artist originally from Belarus.
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But this is pure revisionism)))
Soutine could not - and no one could - to be "a native of Belarus, as a public education, either before his birth, nor in his time did not exist. For German historians note: there was no such country, even at the time of his death. Perhaps, if there is an imperative not to mention Russia, you need to write: "a native of Smilavichy"
Цитата:
Сообщение от ranzher
With respect to the so-called "Second School of Paris", then, in my opinion - is a fully commercial project. As "Beaujolais Nouveau". No such schools do not have any, but there are quite a large quantity of talented immigrants mainly of Jewish origin. What they were really united because almost all bedstvovanie and humiliating existence of an immigrant.
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I think you are talking about the first of the Paris School. I can not judge fully whether it is a commercial project - must be combined on a basis of artists from many different backgrounds, working in Paris.
But I have said in the Second School of Paris - De Staël, Polyakov, Lanskoy - French painter, born in Russia, and Maria Helena Vieira da Silva - Portuguese painter (though they are right, declared Silva Frenchwoman - and all the concierges of Paris and the Paris region refuse to make the garbage bin!).
All the rest - and about the existence of immigrants, and about the wine - no objection is: Beaujolais Nouveau - a horrible vile
