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Старый 20.11.2009, 12:10 Язык оригинала: Русский       #50
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Сообщение от Pavel Посмотреть сообщение
If I'm wrong-popravte and prove the opposite.
AMPs. does not address below as a continuation of the discussion with you, because I have previously commented on your highly professional judgments.

I can only give my amateur opinion about the art of the sixties and the role of EM Belutin. art of the sixties were not limited to art, although it was a definite "engine" of common processes in the culture of those years because of its direct "visual" impact on the viewer. new trends in art were, of course, possible in the context of a weakening of the totalitarian pressure on society as a whole. Now this period of art devoted to the many, t.ch.iskusstvovedcheskie study. great importance of the sixties in the visual arts, music, theater, cinema and literature, as it seems to me beyond doubt. indeed, the art of the sixties contributed to some "de-Stalinization" consciousness of society, unfortunately, very weak, since it does not correspond to the general ideological tenets of the regime.

Ely Mikhailovich Belyutin made a significant contribution to the movement of the sixties as an artist, teacher, art critic and organizer. Student Lentulova ME, ME Tatlin, LA Bruni, an artist with a Ph.D. on the art of ancient Russia (A. Rublev), and a highly appreciated Alpatova MV (supervisor), and B, AN Lazarev, artist, recognized around the world (at the Center Pompidou), organizer of historic exhibition at the Manege, teacher-studio in Abramtsevo and the whole school - is not that the examples of his contributions to the arts?
and, last but not least, collector and owner of the congregation, which a little equal not only in Russia but also in the world



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