Тема: Natta Konysheva
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Старый 13.11.2009, 15:24 Язык оригинала: Русский       #3
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Those who are not familiar with Natta and creativity, can accept it as "a crazy city," seized by a mania drawing.
 not attempt to invent a precise stylistic name what she was doing. It soon came to the literary term "stream of consciousness", which was renamed for the arts in the flow of paint "or" stream writings.

This realism and surrealism, expressionism and primitive together. This, as the Germans would say, stylistic «mischung». But at the same time it is very recognizable individual, that is konyshevskaya style images. It's really evolved over the years, its free technique of rapid writing, and beginning a portrait, or even multi-figured compositions in the morning, finished it for dinner, or (depending on the size of the canvas) to the evening meal. But the ending, it can suddenly something spontaneously recall and quickly finish desired, in its view, detail, sometimes significantly altering the original idea.
The peak of creativity Konysheva fell on a difficult and troubled time, 70-90-ies, when Russia's artistic life is lukewarm in the Brezhnev years of stagnation, then, conversely, was in full swing during the so-called "perestroika". Conspiratorial apartment exhibitions, legal bursts on "Little Georgia, 28, Arbat and metropole libertines in the open air, and, finally, our times, when it was time the most important test - the test of freedom. Konysheva for all these decades remained by itself, since its inner freedom can not be defeated by any external factors.



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