As for "absolute nonsense", then I still would have refrained from such a categorical and coarse speech, addressed to a complete stranger to you man ... (softly say this).
Eto ne v adres cheloveka, av adres ego neprofessional'nyh, nezrelyh vyskazyvanii. Vy mozet byt 'ochen' horoshii chelovek, s etim ia ne sporiu, no "absoliutnaia chepuha" v vashih vyskazyvaniiah sprofessional'noi tochki zreniia prisutstvuet (eto ne grubost ').
A kem vy rabotaete? A skem vy rabotaete? Vy zarabatyvaete na iskusstve (s liuboi positsii, hudoznik ili prodavets)?
[color="# 666686"]Added after 7 minutes[/color]
Everything depends on those customers with whom you deal. Here is the whole fuss, apparently, particularly those where there are galleries. I, for example, 70-80%of working with people who are my clients after the exhibitions, presentations, come on the recommendation of friends ... Advertising gives only 20-30 per cent. Passers-by, as you know, do not buy anything. So for me, too, are very important presentations, exhibitions ..., contract with the artist for the future. The artist must also see that he was with the gallery to work more efficiently than wallow yourself. In Australia, I suspect, the case obstayat somewhat differently ...
Istochniki klientury prakticheski odinakovy v Avstralii i povsemestno.
O reklame ia uze pisal kakoe-to vremia nazad v otdel'noi teme.
Ia govoril o motivatsionnyh pobuzdeniiah pokupki kartin /predmetov iskusstva. Estetika, duhovnost 'ne iavliaiutsia pervichnymi motivatorami.
Ochen 'redko kollektsii baziruiutsia na etih printsipah.
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