Цитата:
Сообщение от ranzher
In what some artistic self-names, comparable to the level of significance and picturesque talent already on the market, stable prices could be put Vladimir Titov? Have nothing much. Oleg Tselkov, Mikhail Roginsky, perhaps, Lydia Masterkova and Yuri Cooper. Of these, only Tselkov, yes L. Masterkova have more or less adequate price, nor Roginskaya nor Yu Cooper not appreciated fully. Unfortunately, this is a sad reality of Russian art market is not yet able to distinguish between identity and power of the brightest talent from the secondary mediocrity.
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Цитата:
Сообщение от ranzher
Referring to the undervaluation of some authors, it should be noted, and the fact that quite a number of names greatly overestimated. For example, V. Nemukhin, E. N. Elskaya Rukhin or not made in the world and Russian art is nothing that could justify the current prices of their work. The price vector of such artists in the light of the above reasons must turn 180 degrees, and the prices themselves take their rightful place.
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Thanking my dear Ranzhera for flattering words about Roginskii, and expressed his full agreement with his analysis of creativity Volodya Titov, let me mention two items on which our artistic investment hierarchy at odds with the Table of Ranks Ranzhera.
In our view, rubles, one of the most overpriced artists (admiration, only persistence with which for 50 years, he writes the same characters, who eventually lost the only quality, attracts early works - the aggressiveness, calm down, and zalachilis became completely indifferent) the period under review, this list has nothing to do. On the other hand, we would have replaced Masterkova and Cooper names such as V. Yakovlev, B. Turkish.
Comparing Nemukhin and Rukhin, a man extraordinarily talented, with Nadia Elskoy generally took up painting on, so to speak, quite specific personal reasons, too, probably has no meaning.
This is our modest contribution to the ambitious undertaking of our friend Ranzhera (if anyone has questions - feel free to ask and try to answer, and most importantly, do not forget that in speculative investment in the arts, I did not believe it
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