Цитата:
Сообщение от qwerty
As a result of restructuring in our society, the mass appeared critical of the communist ideals, and then became popular Kosolapov, Komar and Milamid, Bulatov (the list goes on). Moreover, it has become dangerous.
And I think that these artists, like any seller, after some time will be, if not forgotten entirely, barely remembered by.
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In general, agrees with the idea of wholesale distribution incorrectness of the term "non-conformism" to all informal post-war art (Indeed, when the exhibition belyutintsev second row, a pair of unknowns and diluted Plavinsky called "Nonconformists on Red Square", it sounds strange). But do not agree with the figures provided by several artists. Komar and Melamid went quite loudly slamming the door and the sound was heard by many artists of the then younger generation. I do not close their creativity, but they have influenced the group does not "nest" (Roshal, Skersis, Don) and many more to whom. Bulatov wrote "Brezhnev. Soviet space" in 1977, when, whether someone is sagacious, it was possible to get a cap. Lenin Coca-Cola.It 's real thing
http://www.sotsart.com/projects/g01_003.html Kosolapova - this is 1980, too long before perestroika. By the way, he has things pretty. For example, this
http://www.sotsart.com/projects/g02_001.html - Ford. The collapse of capitalism is inevitable
And in general, that work was taken away in quotes (criterion of national love) You need to have talent.
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Цитата:
Сообщение от Vladimir
And I think that these artists, like any seller, after some time will be, if not forgotten entirely, barely remembered by.
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Here is a danger. As with any jobs linked to the historical reflexes simovolam time and his time. How to know: in 50 years people may not remember what was Ford and MacDonalds. A much-Mickey Mouse, and today many children do not know - no mouse involved in rotation