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Сообщение от sergejnowo
To start lecturing the famous German-The Dutch painter Abraham Mignon
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There is a Russian art its "illusionist".
Suffice it to dial - Fyodor Tolstoy artist
. Here's how to still lifes, FP Tolstoy wrote, YM Lotman, in "Still Life in the perspective of semiotics:" ... At first glance, still-lifes of this type may seem either a tribute to the primitive naturalism, or something related to vnehudozhestvennomu illusionism, «tour de force», demonstrating the dexterous skill, and nothing more . Such a belief is mistaken: in front of us playing on the edge, requiring a sophisticated semiotic sense and evidence of the complex dynamic processes that tend to occur at the periphery of art before, as it captures the central sphere. It is an imitation of authenticity makes the notion of conditionality aware of the problems border and the measure which sought and the artist and his audience. If from this point of view, see, for example, watercolor F. Tolstoy's "flower, butterfly and flies, it is easy to see that lay before us an artist pushes the sheet of different types of conventions: butterfly and flower "as it were painted, and a drop of water in the picture, and flies crawling on it and drink this water," as if real. "Thus, the butterfly and flower paintings are a picture, the images of the image. In order for the audience caught this game, he needs a subtle sense of semiotic registers, the feeling of the picture as neveschi, but things like nerisunka ... "