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Сообщение от Marina13
We can talk about Ukrainian icon painting
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Also known in the mainly velikorosskoy of RI "krasnushek", "chernushek", "striped" in Ukrainian icon painting existed direction-folk icon: Sc. "schepnye" (or bast) and Malevany. "
For "schepnyh" icons took on a thin plate. Often this is a piece of bast, why there is another name for such icons - bast. In this case the curved shape of the icon (in terms of a tree trunk), was treated only with the front side. In light soil was carried out only a personal letter (Christ, the Virgin Mary, Nicholas, but the other saints in these icons are not found), and the background was covered with foil with a salary cut and embossed patterns, sometimes with a list. The icon was inserted into a glassed-in Kyoto.
"Malevany" icons created Malaria artel, hodivshimi villages and painted the walls and ceilings of the upper chambers of the peasant, furniture, spinning wheels and other household utensils. Many Artel came even from the Urals, were famous artisan, for example, from the village Carmack. On "Malevany" icons of saints depicted in the same way as in the wall paintings - among lush trees and flowers walking characters dressed in rich clothes, often borrowed from cheap popular images.
One of the characteristics of Ukrainian folk art masters is that they are using very limited resources, reaches its maximum perfection of artistic expression. The main element in the construction works of naive art in favor line, which, in describing the contour, emphasized the plasticity of form and gave it expression. Color of the line itself is extremely diverse, shades, from brown to Cinnabar.
Another feature of the Ukrainian folk icon is its decoration. Masters gladly entered into a composition motifs embroidered national costumes and towels. Later decorative elements are not geometric and plant origin occupy all available space between the figures of saints. This type of ornamentirovaniya can be traced to the icons Volyn-Podolsk region. If we compare here the icons created by nineteenth century with the works of modern masters from. Samchiki Starokostiantynivsky region Khmelnitsky region, we can be persistent parallels in decorating the background. Unfortunately, these traditions have survived only in one village in Khmelnytsky oblast, and, interestingly, in painting there are predominantly male.