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Сообщение от observer
For the first time I see ...
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You forgot to add: on sale in Russia ...
Since the work Grigorieva Russian period in general is extremely low, even in museums, but much work replicated the previous cycle, "scat" - almost did not survive, I also think a big luck to see her, before that, mostly accounted for only read about it .. . Even reproductions - on the fingers of countless.
Example Gleb Pospelov:
In the first half and middle of the 1910 - even before turning to the topic of Russia - Grigory actively mastered the genre of "theatrical pictures", created by craftsmen from the World of Art, Sapunov, Sudeikin etc. As already mentioned, theatrical sketches increasingly turned to those years of preparatory to an independent kind of easel painting, a special kind of story works, which differ from the usual genre that became a place of theater scene, with its scenery, the backdrop and the figures of the actors. Like Sudeikina, Grigor'ev sinister characters - vagabonds, idlers, visitors questionable sites - always carnival mask in the corresponding colored outfits, and the surrounding cardboard trees or pergolas - always frank painted props.
... Pictures from Grigor'ev revelers coarser and more prosaic, their paint is faded, it is cold - colorful, and most importantly, they disappeared a longing for the sublime ... Playing the underside of the theatrical environment, Grigoriev did not rise above its pernicious breath. He seemed to like his "silly" characters, dressed in "peacock feathers" of carnival costumes, leading mocking dances ...
Grigoryev long remained faithful to this type of painting.
By the way, at the Salon could see (can not remember who), two Grigoryevs Chilean period - not very expensive. But do not compare!