17.10.2009, 22:55
|
Язык оригинала: Русский
#19
|
|
Гуру
Регистрация: 19.09.2008
Сообщений: 5,529
Спасибо: 4,883
Поблагодарили 11,836 раз(а) в 2,947 сообщениях
Репутация: 22525
|
Цитата:
Сообщение от observer
Samvel rights. Anonymously such Grigorieva hardly anyone bought.
The idea is good, you have to try.
|
This Grigoriev 13th year. Works of this period still quite rare in the market and are valued by collectors. Price for which was sold (and he has already sold out), this work is absolutely adequate for this work.
Цитата:
In 1909-1913 Grigoriev traveled extensively and lived in Europe (Paris, Austria, Scandinavia). In 1913 the artist joined the association "World of Art", at the exhibitions which actively exhibited his work, mostly large series of drawings of Paris "Intimacy", which became the theme Valais undress Paris. Concierge, clown, waiter, the townsfolk have inspired the creation Grigorieva thousands of drawings, honed skill of the artist, taught him the hand unquestioningly obey his sensations received from nature. Cycle "Intimacy" Grigorieva made known and recognized artist, critics treated him favorably. For example, NN Punin named schedule Grigorieva "paradoxes in space and on the planes, tender, ironic and brilliant", while noting that the artist "to the idea, thought up until this feeling has never been raised".
Since 1911, Grigoriev publishing his drawings in the journals "Satyricon" and "New Satyricon" and designed by Russian folklore. In 1915-1916, together with AE Yakovlev and S. Yu Sudeikin painted the interiors of the literary and artistic cabaret Shelter comedians. By this time, have formed the typical features of the artist's style - with elegant, flexible line in the beginning as the dominant form. Characteristic for Grigorieva portraits, depicting the man-in-role, man-litsedeya: portrait of Meyerhold, (1916, Russian Museum, St. Petersburg), Ilya Repin (1915), Nicholas Roerich (1917 ), BM Kustodiev (1917), MVDobuzhinsky (1917), F. Chaliapin (1918) and others.
|
|
|
|