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Сообщение от Artdealer
well, plant them, but in their place appear two more ... I am here today, was surprised to learn that even falsified the books, but what can we say then about the paintings on which profit can be much greater. In my opinion, the only way to eradicate falshifki - the invention of chemical analysis, which allows to reliably determine time of creation.
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This is a continuation on this theme (the most recently proposed just 10 drawings KV Rudakov, and this is an interesting info.po this author, we should certainly take into account when buying .... especially novice collectors).
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dedicating this post graphics, touch on issues of expertise. There are author and printed graphics. Author created by the artist in a variety of media: pencil, charcoal, pen and ink, watercolor, pastels, but usually in a single copy. Printed as the basis of the material on which the artist cuts, grass, or draws its product, called the woodcuts - woodcut, etching - engraving on copper or steel board and lithography - engraved on the stone. Stamps with planks or stones are usually made the printer, so the old engravings always indicate the artist and printmaker, engraver. In XVIII-XIX centuries it was widely engraving of the great works of art and museum collections. There were separate workshops for such work. In the first 10-20 imprints the artist usually signs. These subscription lists are valued dearly. Follow-up - nepodpisnye usually cheaper. Even after his death with his board to print new sheets. Thus, in the last decade, widely go to market with reprints of stones Konstantin Rudakov, made by his son, and disguised as copyrights. But most do not falsify the printed schedule - there is no great profit. In the expert study comes as a rule, author of schedule. In her study, it is important to establish the characteristics of handwriting. Russia's leading expert on the chart EM Burtseva devoted to this problem many years of research. She believes that the characteristics of handwriting can see the hand of the artist in the works are unsigned, unknown, lost in time author, as well rename the author in cases of unusual handwriting. Under the hand of the artist refers to the technological and stylistic devices, continued during the entire work, regardless of the artist undergoes development. But in parallel with the study author's handwriting, usually to determine the authenticity of works of authorship and apply technological methods: microscopic, X-ray, ultraviolet and infrared radiation, chemical. These methods are extremely important in the examination schedules Russian avant-garde. She and Ivan Aivazovsky paintings are now highly demanded by the market, and hence often counterfeited. On the study of such fabrications recommend reading the message EM Burtseva, L. Thorstensen and BB Luk'yanova in collections "Examination and attribution" (Moscow, Magnum Ars, 1997 - 2000 .).