Yes, color and style is very, very much like painting Pozhedaeva.
Thank Frosya for a small allowance for some naive and TS, is not yet firmly-established eye lovers of beauty, too inclined to trust in the printed word in general and other people's judgment in particular.
Most likely, this portrait of L. Jouvet in a suit of Don Juan, Moliere's play of the same name, set by them in 1945, where he also played a major role.
But why the unknown author? Right at the bottom of the picture, it seems, is a signature.
As painting Andre Lot, its similarity with the expressive means of the author's portrait seems to me not obvious, and that very far from them, mannered portraits of aniline Lempicka.
In addition, while still proceed from the fact that the portrait - an element of decoration, ie should be written by those who designed the movie or play. Above listed artists are not found in the filmography of Jouvet and his theatrical productions.
I think the search should go on the character. Defining who is depicted in the portrait, you can go to art director. Separate features portrayed like a knock. The play Jean Romain "Knock or a triumph of medicine" L. Jouvet was first staged in 1923. Ten years later, he, together with R. Guppierom, carried out a screen version of the play, and in 1951 directed by G. Lefranc made her remake of the same Jouvet in the title role.
However, maybe it's not Knock.
|