[fross]

Comparison with the works of Tamara de Lempicka, led me to think about the possible authorship of Andre Lot. It could be, given that Jouvet as director of the Comedie des Champs-Elysees arranged in the theater room of the exhibition:

The audience came on Sept. 2, 1926, were surprised to find an exhibition of contemporary paintings by artists Lhote, Kisling, Friesz, and VLaminck and sculpture Bourdelle, Arnold, and Besnard. In contrast to the stained and often gray walls of most theaters, clean, spacious wall Comedie des Champs-Elysees were excellent background and provide modern artists a new group of viewers every night. This Salon de FEscalier became a permanent institution, as well as the Salon d'Art Decoratif and the Salon du Livre.