In 1965, an exhibition with the declarative title "narrative-figurative direction of contemporary art, where Gilles Ayo, Eduardo Arroyo and Antonio Rekallkati submitted jointly written by eight paintings titled" Live and let die, or the tragic end of Marcel Duchamp. " Making a symbolic "killing" idol neoavangardistov, young French painters opposed themselves to trends that have emerged under the influence of aesthetics Ready-Made (
http://visaginart.nm.ru/POST/redi.htm). Interestingly, even the rejection of individual creativity was seen as a political gesture - "artists, like the workers, should be solidarity."