but I can not agree with Irina. In that time and again that people are buying Work for investment, not figuring in the artistic component and the actual market price. They hear a familiar name, and was happy to start frantically trying to buy a work without hesitation and it really worth the money, but it not work valuable from an artistic point of view, etc. Most investors approach to art, as ryntsu securities, and this is in fact radically different things.
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