Ayo Emil (Emile Aillaud - architecte français, Mexico, 1902 - Paris, 1988). Basic construction: Quarters Les Courtillières (1955-1965), Le Pont-de-Pierre (1959-1969) in Pantin (Pantin); residential complex de l'Abreuvoir (1952-1964) in Bobigny (Bobigny); residential complex Le Wiesberg (1959-1972) in Forbash (Forbach); residential areas La Grande Borne (1983-1986) Grigny and La Noé (1966-1984) Chanteloup-les-Vignes; residential quarter Pablo-Picasso (1972-1979) Nanterre; residential complex la Tête Défense (1972-1980) La Défense; school groups in the Jean-Jaurès, Les Courtillières (1957-1967) in Pantin (Pantin) and Marne-la-Vallee, 1976. Architectural E. Ajo program focused exclusively on the "social" types of housing and low-cost construction using industrial methods. For art is characterized by the continuity of constructive and plastic searching.
Thus, the method of panel construction was in the ensembles Bobigny, Pantin and Grigny new artistic comprehension through free wavy lines plan and general plan. One of the first in Europe E. Ajo began to apply the method of sliding formwork for building tower-type (a set of Le Wiesberg). In most works Ayo acts as an architect and urban planner at the same time. His home-quarters in La Grande Borne, Bobigny and Forbach reflect the characteristic of French architecture of the late 1960-1970-s the escalating trend of individual architectural volumes for urban education, but, unlike the common strukturalistichnosti this direction, composite solutions E. Ajo marked more Plastic freedom and irregularity.
Development of urban plans is refracted in his work through a kind of scenario in which programmed visual impressions. By "play" the scenario is drawn, as a rule, the full range of architectural and artistic expression - spatial effects, plastic and polychrome architectural forms, elements of improvement and works of plastic arts. The work of E. Ajo collaborates with artists F. Rieti, L. Fanti, E. Lukaszewicz, J. Ayo (son of the architect) and sculptors L. Rieti, F. Lalanne.
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