Цитата:
Сообщение от Artem
- "How to work with the artist's gallery!
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There, in the second part of the topic, I think it is.
And problems can create as one and the other side. And it is not unfortunate, in most cases (if not all) it depends on money. The artist wants it all today and now (money, fame, auctions, rank ....), a gallery, of course, too, is interested in the rapid growth rates of the artist, but the constraint is notorious contractual relationship. And there is a certain logic - one dealer was engaged in "promotion", invested (and not just finance) in the artist, but when "the process has begun," came another, and offers more favorable conditions (the possibility of more ...).
While you can say - such is life ... But, "to cut weight, do not feel like, if zolotishko already in other hands ...
In general, this topic is probably the most relevant for the promotion and development of modern (not in the sense of "contemporary", but in the sense of - "made" our contemporaries) art. And the theory of writing myself - he sell it from despair, from the creation of handicrafts, when the fairs went and sold their products.
And here, I would like to bring a little analogy:
Dealer - artist, agent - an athlete, the theater director - artistic director (here, in the sense that one is also engaged in marketing and management, and the other - creativity )....