Цитата:
Сообщение от LCR
I would like to clarify that the exclusive, which is widely practiced in the years 1960-80, has now become a rare exception, at least in Europe.
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Pity. This allows the artist to work without worrying about side issues.
And the attitude of the gallery to "own" the artist would have been more warm and tidy.
If an artist is "free" - then why gallery invest money into it, groomed and pampered?
It is logical to think so: "If the commodity is sold, then we will sell, if you stood up, then immediately free the warehouses [wall] for a new product." Appears clean business and relations "producer-dealer."