Цитата:
Сообщение от Chernomashentsev Vladimir
I am sure that in the West every talented amateur painter, to get started with the galleries, usually some signs exclusive contract. This applies not only to artists - all, including actors and musicians. At some time devoting themselves to the "bondage", in response to receiving recognition. God forbid, an artist peremetnetsya in another gallery, violating the conditions of the contract. Yes its there and will not accept, concerned about potential judicial risks.
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I would like to clarify that the exclusive, which is widely practiced in the years 1960-80, has now become a rare exception, at least in Europe. Not so long ago we talked with Faride Kado, one of the most famous galeristok Paris, which also was a gallery in New York, and she recalled with nostalgia is a golden time
It should also be noted that exclusives artist was obliged to put a certain amount of work per month, but he was guaranteed a regular wage. Perhaps this explains the disappearance of such a formula - used by gallerists had the means, and they themselves were willing to waste water (such gallery owners, like Manuel Schmid and Benoit Sapir still sell the work bought by their fathers), but now neither the money nor the desire to "replenish bins, they do not, and the ephemeral nature of fashion in contemporary art to this does not have.