[LCR]

Let's change the record, OK? I propose a priori completely adversarial plot (although the bag from a prison cell, so ...) and, in general, in my opinion, it makes sense to look closely to the work of artists from the First Paris school, so to speak, "second tier" - especially given the relative interest in the realist the twentieth century, shown at the forum in recent days.

The artist of Jewish origin, born in Poland, one of the first representatives of the Parisian school.
He first studied painting at the Academy of Fine Arts in Krakow, then in 1911 moved to Paris, where he was influenced Pont-Avenskogo direction with his sintetizmom and decorative styling. Between 1912 and 1914. He lived in the Eastern Pyrenees. There he met Picasso, Braque, Gris and Max Jacob, in close contact with that helped him learn the principles of the aesthetics of Cubism. Kisling participated in the Paris Autumn Salon (1912, 1913, 1920, 1925, 1928-33, 1947, 1948, 1958) and independent salons (1913, 1921, 1922, 1925), as well as exhibitions of the New Secession in Munich and the Free Secession Berlin. E /th Workshop on the street, Joseph-Bara in Montparnasse was a meeting place for artistic and intellectual elite - there could be found by Picasso, Derain, Gris, Modigliani, Soutine ...

Sorry, I describe in the title, instead of 1953 set in 1963, thanks to Cyril, who drew my attention to this.