1952-53 - the return to Paris, continuing the series "The soil and land." Series "The immediate space", "radiant land," "Small pictures with the wings of moths", "assemblages of traces. Lithography. The book, George Lembura "The origin of Jean Dubuffet Art - Painting - this is a good yeast, but you have to bake the dough.
1954 - retrospective, organized Druenom Gallery Volne. Series "Small statues of mortal life," Cows ".
Landscape, portrait: "I feel that the landscape and the portrait should be compatible, that is more or less the same, I want to portraits and landscapes have some characteristics - lines = furrows in the ravines, trees = nose, mouth = home ..." . Dubuffet wants to achieve not looking like, in the presence of the depicted.
1955 - moving to Vance. Series "Assemblage traces", "Assemblage Paintings". The first exhibition in London at the Institute of Contemporary Art.
1956-57 - the lives alternately in Vence and Paris. Series "Topography", "Teksturologii. The first retrospective in Germany.
1958 - continuing series "Teksturologii. The first retrospective in England (Arthur Tuta Gallery, London) and the first solo exhibition in the gallery Daniel Cordier (who regularly organized his dystavki before 1964).
1959-60 - the series "The Beard", "Botanical elements", "Materiologii. Lithography - a series of "Phenomena". Images of Chinese ink. The exhibition in the gallery of Pierre Matisse and a retrospective (1942-1960) at the Museum of Decorative Arts in Paris.
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