1945 - Exhibition of lithographs in the gallery Andre. Understanding Henri Michaux. Trip to Switzerland, where he studies the "brutal, primordial art» (art brut). Dubuffet coined the term to define the art of unprofessional artists working outside the norms of non-artistic circles who have turned to creativity as a result of certain social or psychological trauma - mental patients, prisoners, or simply children. And he is seeking in his art, regardless of intelligence.
1946 - second show at Druena. Publication of Obyurascheniya to lovers of all types ").
1947-48 - the first exhibition in New York, Pierre Matisse Gallery (which he regularly exhibited until 1959). The first visit to the desert (Sahara). The exhibition "Portraits" at Druena. Reason Foundation Refuge primordial art "in the basement Druena Ghaderi, which until 1951 was organized numerous exhibitions.
Publication of the first text on the jargon.
Second visit to the Sahara.
1949 - third visit to the Sahara. Upon his return - a series of grotesque landscapes.
The publication of the manifesto "The origin preferably Cultural Arts.
1950 - Series "Body of ladies." The publication of other texts in the vernacular.
1951 - the first retrospective exhibition in Paris in the gallery \ L /evy shore. Series "The soil and land," "Landscape tables", "Landscapes of mentality." Six months stay in New York. Druzhyua with Yves /tanga. Exhibition in Chicago, at the opening of which he read out his "anti-cultural position." The artist creates the entire surface of the texture of his works, for which he uses sand, gravel, gypsum, coal dust, pebbles, asphalt, which he cooks in bowler hats, bichevku, fragments of mirrors or colored glass. Then he draws on the texture using a knife, wire brush, or just hands. Unfortunately, the texture of his paintings are not quite visible in their play.
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