Цитата:
Сообщение от Cyril Syzransky
No, of course, not the same.
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Yes? I do not see any difference. Do not trouble you to explain what the difference in the conditions of furniture in the rooms closed heated space and paintings hanging in those same areas on the walls?
In Durer total of six (6) etchings [Zvontsov VM, Shistko VI Etching. Technique. History. St. Petersburg: Izd. Aurora, 2004]. They are made in years 1515-1518, with the iron plate, the most famous of them - "Big Gun. While not yet opened the mixture of acids, capable of good corrodes copper. Later, Dürer etching away from, preferring incisal engraving on copper (possibly after getting acquainted with masterly engravings Lucas van Leyden), and favorite them holtsshnittu. Durer's etchings are extremely rare, because the iron boards are broken and rusting, so reprints excluded. I had not seen the proposals of etchings by Durer, and I think that their price is several tens or even hundreds of thousands of dollars. This, of course, is only about the lifetime originals, not copies of the later-heliogravire.
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Цитата:
Сообщение от Cyril Syzransky
I'm up to this moment thought that there were several Durer woodcuts. Rest-etchings.
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It is also considered, and Marcantonio Raimondi, when copied Durer engravings, and to make his monogram and selling a work by Durer. Raimondi (himself a famous engraver and draftsman) believed that Durer cuts on copper, and did not think that such a filigree technique is possible at all on the tree. Such plagiarism Durer angered so much that he went to Italy and handed it to the court for Raimondi - the first in the history of the process of forging works of art! Durer won the case by proving that it is filled with engravings on wood, and Raimondi, make copies on copper.