Цитата:
Сообщение от DSF
I think the literature only hinders artists. You infects the artist's vanity, you are instilling in him a love for vanity, and it is - everything. You are not in the least to improve the public taste ... Despite your writing, it has never been so low as now. Is it not? You do not even help us sell our paintings. A man buys a painting, not because I read an article in the newspaper, but because his friend, who, in his opinion, something understood in the art would say that this movie in ten years will cost twice as much now ... .
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Degas just rude to the unhappy writer. Artists and then were able to puff. And then, what this series of names? Renoir, Degas ... Edification descendants? They knew something about the present life? This is the same as Alexander Benois ask about the actual art ... this would have been listening
Цитата:
Сообщение от spigo
And suddenly, is greedy confusion, which kills a wonderful creation, resells it naformalinenny corpse artist, then history is known.
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Exactly. How did we forget to Yaya draw attention to the form? There is no doubt that Hirst would be 1000 times easier to implement this idea on canvas or in a cast-bronze. Make it on a pedestal height of twenty yards! Or write, for example, that a shark on a large scale - panel meters for six! Well, he-he figure, of course, does not possess (according to many forumchan), so that would attract local "Negro art" - not the essence. Instead, he, the scoundrel, started some unbelievable racket - book in Australia carcass, transport, prepare a dummy, tank ... Yes, and without guarantees: the case of something new, the technology is not proven. And all why? Perhaps in order to achieve maximum realism? No, of course. All just because of money, PR and desire to make fun of the corpse of a relic .... Well, what kind of conversation?
A realistic meanwhile achieved unprecedented - virtually eliminates the barrier between the product and the spectator. This barrier was thinner glass of the tank. The artist has achieved maximum involvement, catching a string of primitive dread of this Makhinov. To the spectator belly felt that before him is not an imitation. With a painting, or sculpture should never have been to create such an effect of animal excitement. It's one thing to look at the film footage from a helicopter, but quite another to actually look down from the observation deck skyscraper. And in fact worked for 100%. Actually such bold actions of artists and include them in the history of art.