Цитата:
Сообщение от Turquoise
What kind of insult, for God's sake!
These 2 questions I asked for a further 2 forums. Different words, but the meaning of a response. Even the initial investment in the promotion does not imply a further, more expensive merchantability works by the artist. In addition to still have the skill and luck, originality and style of writing, which is in demand right now and it is in the wrong place, a good dealer, and many, etc. etc. etc.
As a result of 1000 artists who have left 1.2 untwisted.
Ie for the artist, as I thought it seams.
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Цитата:
Сообщение от Turquoise
As a result of 1000 artists who have left 1.2 untwisted.
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If the word "roll", you understand the material security, ie profit from the fruits of their labor at least 40-50000 thousand euros per year, then such artists originating from the former Soviet Union, Europe is 0.2%and about 10%. In any case, in France, where it is so, and this country is the most difficult in the professional career of the artist from the former empire. In Germany, where conditions for izozarabotkov more gentle countrymen than in France and the UK less, but there is "our" honored to portray the queen and as a result, mentioned as a criterion, the house, first in Old English and then at the French coast, which befits a true gentlemen vacations.
It is interesting to note that one of the Russian artists in France, described himself in a radio interview "as may be most successful in the material sense French artist. At the same time (perhaps to his credit), he did not say about art or about art, but only about the profession. Who's that attended. One - to bake bread, the other - to put the wall, the third write still lifes and landscapes. This suggests that the foundations of craft, in other words what earn the bread, gave the Soviet Union is not bad.
For reference. In New York, where artists more than in the entire former USSR Union of Artists, those who live with the results of their work 3%, France - 5%.