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Сообщение от Semen Semenovich
Just before we have not yet reached the culture of the relationship between the artist and galereistom. That's for you galereist - a huckster who wants to cash in on a poor artist. In my gallery, for example, we are working on two systems: one where the artist calls his price, and makes gallery mark-up (from 50 to 100%), and second, where the gallery determines the selling price, and the artist gets half. Rama, discounts to clients and other expenses, are made of parts. which earns gallery
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If the gallery owner is not trying to sell at a higher price and earn more he is a bad gallerist. Being a trader is not bad but of course for the profession. The question is how gallery owner can raise the price? Then another question is no tool for this.
Relationships gallerist and artist-are generally left to shake down artists who have received a lot of people use this to work and produce on a mountain masterpieces, but there're spending on drink. It should influence gallerist. Why do I say a trader or Marchand, because he sells it buys, but does not serve anyone else.
And more about the culture I would not beat his ears, cheeks - we are in many ways far more cultured than the west and about relationships, too. We lack the art of speculation, which would become profitable to buy art. This is a very serious topic, write books, so the obtained excerpts and absurdities in the records.