You forget how to say that I have a lot of French people, so it's natural because they are my teachers, but I itself. In art, the most important thing to be at no one, like the original, let it be at first sight worse-будующее will tell, but be afraid of borrowing and the similarities. It is immediately apparent to experienced specialists.
I have no one to teach, and speak for and defend their point of view.
I am sure, based on the French experience that artists and dealers are much more profitable to do business and work, not counting on a narrow elite stratum, and as soon as more democratic. More collections, the more customers and sales.
This still life of Edouard Manet, Impressionist chapter.
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