LCR, thank you very much! Useful article for beginners.
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Karl Schweitzer quite critical of all of these funds: "None of the existing or existing funds, with the exception of standing in a very special situation of British Rail Pension Fund, did not bring profits to investors».
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I wonder why?
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Сообщение от LCR
In addition, organized "teams of Contemporary Art", allowing cooperated and buy a piece of art together. These groups of customers, which usually recommends an expert or a well-known member of the art market are a practical way to participate in this market, but today they are still not very well known and difficult to find. And in Belgium, and France there is the emergence of such groups. Helen Demmerle, an adviser to investment in art at UBS, explains: "These groups are investing in lesser-known artists. They are largely based on his taste ».
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It is doubtful, of course, that this is a viable idea. For the existence of such groups requires three conditions:
- shall organize the beginning: a man or a small initiative group of people well versed in the art - ideally, non-experts or people who could attract competent experts to assess the authenticity and the investment attractiveness of specific products;
- so that people belonging to the group knew each other well and completely trust each other - well, at least, completely trust the organizer of the group;
- so that people belonging to the group had available funds that they can invest on a long enough period of time.
Well, still lots of problems, ranging from legal and ending social (the inevitable conflicts between group members regarding the effectiveness of spending, etc.).