Цитата:
Сообщение от AlexanderG
To Ninni:
Since the dead can work more relaxed but at the same time, the road on his journey and if everything is going to think the number of deceased artists will increase and not dead - it will decrease.
S umershimi rabotat 'deistvitel'no spokoinee, mozno planirovat' svoi deistviia, marketing, rashody itd. Sporno to, chto eto proidennyi put ', skoree eto pervootkryvatel'stvo. Do smerti nikto ne interesovalsia, a posle, trudami dilerov i galeristov, pri nalichii dostatochnogo kolichestva proizvedennyh kartin, mozet popast 'v velikie.
Na moi vzgliad, takoe kolichestvo hudoznikov kak seichas ne trebuetsia.
Primer Au: 22 mln naseleniia, 250 tys praktikuiuschih hudoznikov, 500 kommercheskih galerei. Poschitaite chto k chemu.
V USA, esli mne ne izmeniaet pamiat ', okolo 3,5 mln hudoznikov
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Dear AlexanderG, I was a little surprised by your point of view because You work to live and not even very old artists, who can afford not just to change writing style and behavior. You run the risk of love for new creativity or something, I do not understand?
Living people are always problematic (in any profession) and "archives" do not make claims.
In my opinion - pioneering a much more valuable and noble in the life of a talented artist who must provide the notion of "stimulus" and the reality of "life" in the tolerable limits.
Always condemning the artist who cares about our daily bread and not only on the eternal values but will never be criticized gallery owner who does not want to support those values.
Fully agree that so many artists of the world does not need and can not understand why elect such a complex, little thankful profession if no special gift or a stunning love of art?