[Art-lover]

Сообщение от Admin

In general, everything. Tired Wiping forum of garbage. Artyukh Igor banned again, and now finally.

Because of laziness, leftist posturing and irresponsible shapkozakidatelstva Ukrainian ArtRevolyutsiYa canceled. But could be. For confidential information, Ukr-artokraty Solovyov, Gudimov, Karas, Khamatov and so forth. have to pack suitcases ...

However, no need for tears. This is not the first nor the last Ukrainian revolution. But the most infantile of them: the revolution starts with an idea, but here it was not in the bud.
Incidentally, our art-revolutionaries could benefit from the experience of successful integration into the system (which, actually, they are sought), his recent predecessors. Ulyanov, for example.
No, Volodya, as you think, and Anatole entrenched in proza.com.ua. He, at least, offered rrevolyutsionnym artists constructive steps in the form of aesthetic jihad. : D: eek:

To another wave ukr. art-anarchists do not have to reinvent the wheel - the word the young ukr. art criticism A. Ulyanov.
 
Claustrophobia artists
mobile picture

Since the majority of artists - are people incredibly cowardly and hysterical, any contact with society calls them puppy shivering. The ambitions of the artist positions require universal pastor, while the social environment, to put it mildly, and wanted to spit on the artist and his art. Social life, in the end, it is a huge glowing fist.

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No wonder that contemplating it, the artist could not help whimpers, sweats, pees in his pants, depressed and yearns to get through the dark gap in the swamp, where he was recognized, appreciated and will take as his beloved idol. Thus was born the desire to conserve himself in the galleries.

It is understandable why gallerist and separate "Mitzi" phenomenon "gallery" like. It not only forged loot, but also multiplied highly artistic sodomy in the name of titles and awards, cloned monopoly and statics prestige. Here is my fashionistas who come to drink Martini, chew olives, dried turd watch and popizdet in the spirit: "What a subtle game with the tone, concept and metaphysical motifs in the spirit of the Gnostics and lobbyists neovremenya.

All this is splendid, charming and pitiful. All this fuss in pi.dolaskovaya ugristom pus. Social fist as he was, and still is. Poets die, but society thinks about the sausage.

Thanks to the creative infrastructure and galleries in particular, the art, according to the British artist-terrorist Banksy, has become the latest big cartel. A handful of people making art, a handful of his purchases, a handful of shows. But millions of those who come to see him, nothing to say.

I think it might be wise to come to wellness following assumptions:

• artist can get rid of intermediaries;
• artist can avoid hangouts elected;
• artist can stop having sex with owners of galleries;
• artist can leave the static picture, not wanting to sour in boxes;

Nothing is more correct and inspiring than the aesthetic jihad against static galleries, a sacred poet claustrophobia. It should destroy their walls in order to transform the city in a gallery without walls, the territory of direct contact with the public. "In bypassing the" not shooting. They shoot straight to the heart, eyes, ears and minds.

Mobile gallery
Mobile-gallery has no superiors;
Mobile-gallery has no address;
Traveling exhibitions galleries arise spontaneously migrate and move around to different places;
Gallery-Mobile does not belong to anyone, but belongs to all;

Poets and artists have to seize the streets, blow up their creative bombs, where is boiling real life. After this revolution, the city is destined to become an absolute exhibition space, which was dominated by not one who is more wealthy, Jewish, homosexual, or a classic, and one who has the loudest bomb, who shines brighter than the one who is toothy and active. War artists should not happen in the pages of magazines, not smoking critics, not parties, but on the boulevards, squares and avenues. The dog against dog. Brush against the brush. Girl against girl. Boy against boy.

If we remain galereetsentrichnymi, will continue to worship encrusted prestigious galleries, then certainly we have a chance to be in his old age in a silk dressing gown, with a glass of expensive wine and a hearty gases in the stomach. Is interested in the artist? Perhaps. But there is something more important - an act that can be called revolutionary, a true and real. Art has no right to be reconciled with the statics, with a stable degree and constancy. The attack on the people, the occupation of the streets and abandoned buildings, rental of conceptual areas, mobile art spaces, the creation of spontaneous art galleries without idols-leaders - all of this is much more important than silicone boobs and a sweet smile, Marat Gelman.

Language streets and aesthetic jihad - is a real choice, real alternative, or at least, a worthy addition to the artistic life. Poetic radiance calls to destroy the static picture-idols, begging on the internal rave laws. Which poetic Protestants throw the first brick in their pathos windows?

Anatoly Ulyanov
Publication: 04 month 2006

And another piece of the theory of the same spill:
Sadism for the artist

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In the art, there are situations in which there is nothing more appropriate than violence. ...
Is the critic has the right to keep alive the artist who created the frankly nasty piece? If he would allow the artist to live, it will exist low-grade art.
...
If we hang the poets in the squares, a few years the country will have an unprecedented poetic force. A good artist - bulletproof artist. If he survived the shooting, his art is worthwhile. Check beatings - these are practices worthy of respect.
... What could be more holy and right, than fascism of cultural criticism, which arose in the field of culture, drowning in crisis?

Sadism on the part of critics is not enough. Strong artist, holding the reins of the vanguard of the revolution, must raise themselves with individual sadism. If you want to do avant-garde, is not enough to face world-average statistical sheep society. Laceration, transition faces a challenge, rebellion and protest - all this must begin with the artist. The artist must force himself, to cross to start the personal edge, personal barriers. The revolution begins with everyone. And expenditures over the set. Transcend themselves - it hurts. If an artist does not want the pain, let him be a teacher in a village school or herding cows on the outskirts of the state. Get out! Or do what you're afraid to do - this is what the voice of the god of art. There is nothing more beautiful than to tread on festering blisters his fear. There's nothing more respectful than overcoming fear. There is nothing more beautiful than the cut with the wounds of society, the most salt-sprinkled salt in the universe. They are no longer on the body. They lie side by side. They soon will not. Here God begins.

Anatoly Ulyanov
Publication: 11 month 2005