Цитата:
Сообщение от Artem
In Sevastopol, most "cool" work
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Artem, I agree with her vami.Videl in Sevastopol 13 years ago, very good. In addition to the current Sotheby's, I think, the weakest of all the options, although only the catalog is difficult to judge.
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Цитата:
Сообщение от Cyril Syzransky
Today, RBC obsudali lot 8 and 7, but they are certainly interesting position, but was rekindled this idea: during the period of Russia's unstable Russian art melted much of the world liquidity ... they think again locomotive for investment - European art ...
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Cyril Syzransky, perhaps this is partly true in the "overheated" things artists so to speak of the "second tier", such as Meschersky, Kiselev and T, DV actually at European auctions Painting such a level can be purchased at a fraction of that always knew what and enjoyed. But the European artists and relatively inexpensive, but with an increase in potency is not much, so for example Monticelli (LCR wrote about him in his first post). Hudozhnik.no his excellent work the past 20 years almost no increase in tsene.zhivopis old masters of Holland, Italy, France is attractive only at first glance, I worked as a restorer in Germany and Holland, and I can say that the records intact and restoration of a thing to buy is very difficult. In addition, there is on-site examination can not do, in any case such a quality as we have in the Hermitage