Sometime in the mid 90's fate brought Vladimir migacheva in the temple, which we had to paint. Bible-the Gospels in the Russian interpretation led him to believe that, first, an abstract painting is directly connected with the Russian-painting - there spiritual fulfillment is achieved with just two visual tools, line and color). Secondly, spiritual fulfillment and voltage is easiest to achieve with the utmost simplicity and restraint forms (the luminosity does not necessarily imply brightness). Thirdly, the chaos of non-figurative art for the artist is only a basis from which should be his own pictorial language. And that he sounded convincing, you need to make it as concise (monochrome) and expressive (emotional).
Work in the Church returned Vladimir migacheva to his rural roots and origins, has awakened interest in national traditions. He decided to paint a portrait of Russia's vast expanses of its middle zone, inescapable sadness and sacred power. Intuition told me that the usual annoying paint is clearly not cope with such a multi-faceted task. One day he came up with the idea. If the landscape is dominated by the earth, why not write it using the same land. To take a simple earth - the one that's under your feet, and put on canvas. Because the earth is millions of years absorbed the energy lived on her humanity, what was more to tell about the most important? And if it is adjacent to the land to put the ashes (ashes to ashes), the emotional content of the painting will increase many times. Thus was born the unique author's technique. Acrylic on earth (often in the form of humus, sand, ashes, coal, clay, alkyd resins, kubassek, - merging in ecstasy, turned into an epic Symphony on themes of today's Russia, in which the land dictates the overall color and tone, and mood.
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