Сообщение от acetate
We all probably spinning in different market segments . Normal market fakes always hurt - the decline in sales , due to the large number of fakes and left evidence . Maybe someone more important than expertise and names ( regardless of quality and thin. Value ) , but for someone more important than authenticity and artistic merits , but for all can not vouch . Old publications and participation in exhibitions of works , of course , too, not today , added confidence in the authenticity , the acquirer , but no it does not affect the artwork itself . Just before exhibitions got the best work naturally and implement them now easier. Now even in the Tretyakov Gallery at personal exhibitions can be seen counterfeit publications even like that and not want to talk . And , gathering acknowledgments and dubious exhibitions - forgery , often sold over the years , that's no problem , " valetovskie " " Lentulova " early " Mashkov " why then whom are not necessary , despite the apparently low prices, but the real work of the same authors sweep at auction for millions. So that different markets and different customers . For example now quite in demand, even in the big collectors not only Deineki and Pimenov , but also less famous artists , and not by weak prices , they have other selection criteria - museum quality , style tune with time , plot, size and of course the first place authenticity. I think better to get a decent product , not the most famous artist than microscopic Pimenov , though the wild prices , yes nedoDeynek on scraps of paper . One unfortunate that little decent work , even those - not the very magnitude and artists. <! - ~ 1 ~ ->
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