Reading the texts of Marat Gelman, it is useful to keep in mind that one of the professions of their author - political strategist, that is an expert on brainwashing. In other words, we must remember that it is not merely describes and analyzes the subject, but also tries to influence it (in this case the market Sovrem. Art) for themselves in the desired direction. Here and reduced paper clarifies the philosophy rather Gelman and some aspects of his work, what gives a true picture of artrynka (in 2005. - The year of publication of the article). The base, which is MG brings under his art-market ideology, not very fundamental. Overexposure begin with the first row (the improper mixing of fashion and actual) and escorted to the full article.
This is not so serious text to hold his detailed analysis, but it's fun to reveal its basic postulates, because They wandered for many gelmanovskim texts of recent years.
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Gelman - serial statesmen. Its market scheme is generally based on the principles of socialism and the barracks of the slave society.
Ideal Marat - forming subsidized by the State Museum and art galleries vertically, the main function of which will be an expert selection of several dozen "promising" artists to further their exploitation (mentoring
) and the introduction in the history of art. Control the entire hierarchy must - you know who
.
The rest of "creative units calling themselves artists, waiting Famine. For the optimization of the market requires creative weaning. biomass that has not been a gold half-ruble favorites, from:
- Serious (the wealthy) collectors;
- Exhibition space;
- Media assets;
- All forms of subsidies.
This is the basic ideological framework. The rest - the rhetoric, wound on him.
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"In professional (gallery owner or a representative of the museum) no taste in the conventional sense. He has a bias. There is a vision."
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Guess who will have the monopoly on the "passions and vision" in the case of implementation of the proposed "market" schemes?