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Старый 06.02.2014, 07:48 Язык оригинала: Русский       #44
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About who hangs where and in what quantities ...
The Pompidou Centre is just trying to reflect all thin phenomenon of the first half of the 20th century on the basis of what he has in the bins ... if that is not present , and the phenomenon is, it puts the work of other authors , such as matching the theme . If you measure the greatness and significance of the artist on the number and size of his work at the Centre Pompidou , the greatest of the 20th century is Sonia and Robert Delaunay - they all hung out there .
So do not make any conclusions on the basis of global hanging in the museum.
 Van Dongen hanging in all the museums of Paris , somewhere more, somewhere less.
Goncharova hangs in the Pompidou Centre.
Fed -Goncharov absolutely right there, because she lived and died in France , then the state has itself part of the inheritance patterns .
Pompidou would be happy to hang Malevich Chashnik , Popov , Vladimir Tatlin , but if no, what to do? hang there . " Wrestlers " Goncharova very good - expressive bold stroke, lumpy form , tearing the canvas boundaries ...
This is generally a very interesting topic as - formed collection of Parisian museums. I understand that the state inheritance tax has played an important , if not decisive role in creating collections . Thus was created the Picasso Museum is just a state inheritance tax Picasso. I am here still talking - Orsay is inheritance tax Impressionists , but another museum ( forgot ) Impressionist formed from other sources and there work more interesting ..
 Ahead of us works of Russian artists in the Pompidou , which I knew nothing .
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художник Ixygon - http://artnow.ru/ru/gallery/3/9765/picture/0/0.html




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