Greetings to all! I read your posts in this forum and this is what I think about this: I'm not one year, I am a regular visitor to most Ukrainian auctions and on the "Golden Section" I can say one thing for sure - on the background of the other - the only auction for an art market in which over time there I did not find any fake work. If there were questionable work - they were withdrawn from the auction. Were they bad moments (all of recorded history with a picture of A. Maksimenko, in which the owners, by the way, proved to be right and prove the authenticity of the work). Furthermore, I personally met with the owners of the "Golden Section" and I can assure you that this is a very decent and educated people have a wealth of experience and truly earned reputation. As far as I know, the AP supports their guarantee of authenticity 100%return value of sold paintings.
Concerning the work Tsvetkova - absolutely typical of her work. "Lilac" in 1950 - is without doubt, the signature in the test and so can be seen at once - her hand. And about the work of "Yalta" in 1977 - why the shame? Given the size of the product (20x30 cm) picture is written masterfully. Coloring too Tsvetkova (its pastel colors often found in similar landscapes). What you do not like it, it is not clear.
In the new auction (12.04) - of course, need to see the work, but vobschem: a collection of smooth and happy existence of various top works (for them tagged "Amsterdam" Glushchenko, Malyshev, Fountain Szyszko, Miller, Lomykina, Zaretsky, style, Igor Grigoriev )
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