This period (1990-1900) was rich in artistic discoveries: neglected puantellizm Signac, whom he was interested at first, Vuillard uses the technique kluazonnizma, wrote open flowers, his paintings are very decorative, like the stained glass windows. Theoretician group was Maurice Denis, who instilled in them a love for Japanese prints, and Sérusier introduced them with the work of Pont-Avenskoy udozhnikov and, above all, Paul Gauguin. In 1891, he worked in a studio with Bonnard and Denis. This year, the castle of Saint-zhEermen-en-Laye held the first exhibition of Nabi, and later in the premises of the magazine "Revue Blanche" ( "White Journal"), which supported this group of artists - his first persolnalnaya exhibition. Since 1893, he developed a style of mushetazh "that is, a letter with a few colored dots, dashes, finding himself in a rather special technique (gouache on glue in conjunction with oil) and all the more readily using cardboard, which allows for a more opaque than cardboard. During this time he painted many portraits of representatives of the educated bourgeoisie, it is very ornamental in which personazhei often merge with the interior, as well as all the time back to the plot of a dressmaker - trade, which his mother had to earn a living from the family after the death of his father, who died when Vuillard was 5 years. Vuillard had worked for the avant-garde theater, he created the wonderful scenery and models of programs.
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