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Сообщение от Sergei burly
A couple of trivial facts , and we have to figure out for what they pay 100 million dollars!
Well, what is it? His grandmother was Russian in Odessa ? Or does it live in the studio deaf beaver ? Danes with the Dutch love it .
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Maybe deaf beaver and two-headed crocodile . In any case, no one IMHO does not understand the pricing mechanism and no one understands why. Definitely not for the art , even if it is really like for like so much no one gives .
The most lousy when you try to explain to the students that they need to draw a lot of learning to do it well. Do you feel ... Well, in general feel stupid . That's just today was such a conversation . They say that in general there is no point to draw : it is thanks, Basquiat , Koons and others like them . And really - why? To what? Now it is a completely separate activity are not related to sales.
There is no relation price - quality, price - the talent , the price - skill. And you never know for the next time someone tells fortune finger .
142.5 million for Bacon ! he twice steeper Rubens ?
And it already seems simple Funny , when under this price someone starts to talk about how the artist is talented . It is understandable that it no longer has any value. And the fact that the art is not in any way related .
This is a purely psychological effect, where everyone called plain woman beautiful after a while you start to find her attractive , and only then on their own initiative seek in it something beautiful and funny thing - when you find <! - ~ 7 ~ ->