I think this is an illusion:
a broad sense, we can not know the whole truth about any one of the paintings. But there is no confusion, no special. This is a normal situation for art XV-XVI century. I do not understand why Serachini so attached it to the "Adoration of the Magi" and in general to Leonardo. He is still there and the symbolism of the Templars found - just some "Da Vinci Code" together with "Foucault's Pendulum")))
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