Цитата:
Сообщение от Pavel
Yes, I am always surprised that living in Paris, it is a word of French art . Even in this article , a quote . About the ETM is much more interesting in the history of Impressionism. There was all the struggle and that the academics were ordering and buying Impressionist fans . It's all connected , and Drouot , and gallery owners , collectors , and benefit, and aristocrats . So where is the academics , all of these Bouguereau , Winterhalter, Bonn , etc. in comparison with which Briullov, so-so. Aivazovsky and Delacroix ...
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Why , there was a discussion on this topic with LCR, there still Neoclassicist German artists featured as an example .
And in fact - it is very difficult to make predictions at a decent time ahead.
Just that situation struggle " against the academics Impressionists " mechanically makes no sense to carry in our time. Easel now all easy - competition with digital technology .