assure that it is on "apchih" deep bell ... it would be for themselves galleries. Undoubtedly, CHA has been a Mecca of art in Moscow, as at the beginning of the end of 19 century, this was in Paris Street Lafitte, and then, in the early 20 th century, it became a street of La Boesi where resettled most of the leading galleries of the time ... And went through an amazing reason: one seller of modern painting, Jos Hessel, wanted to settle down in the street Laffite, after leaving their original location on the street opera, but could not find in the garden painting for a place. He had to look elsewhere, and in the end he took shop in the street of La Boesi. Because the case he went successfully, there is gradually moved his other colleagues, and the street is La Boesi became what was once a street Laffite - market painting. In his memoirs, Ambroise Vollar (one of the largest, if not the most significant, a trader Impressionists late 19 early 20 th century) wrote of Lafitte Street: "If someone said:" I'll go down the street Laffite, it could have no doubt that dealing with an amateur painting. Similarly, when Manet said: "It should go into the street Laffite" - or, conversely, Claude Monet inquired, "Why go to the street Lafitte?" is meant that the artist seeks or considers it unnecessary to keep abreast of What do his colleagues. "
I think Moscow also lacks a street or a place. Even the current CHA, with its dozens of galleries, can not fully rightfully be called a full-fledged market painting. The emergence of this art market would help not only the rise of interest in the antiques world, but also its development and regulation of processes occurring on it.
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