I think the success of Rothko, 99%associated with the names of galleries, vzyahshihsya, for his promotion. Actually, it was always so. For example, artists have come to the interests of Mr. Vollara (from Cezanne to Picasso), today is the unconditional first names, but those who refused to work with him (for example, Tarkhov) now occupy the seats at the best of the best rooms. Although at the time Tarhov fared better in the same Cezanne or Renoir. And if at Rothko in his time did not pay attention to Mr. Lloyd of Marlborough, I'm not sure that today we discussed this phenomenon at the forum. With regard to innovation Rothko, all these ideas were at one time quite thoroughly developed and described Matyushin with its youth movement.
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