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Гуру
Регистрация: 02.05.2009
Адрес: Москва
Сообщений: 1,407
Спасибо: 5,752
Поблагодарили 5,017 раз(а) в 1,178 сообщениях
Репутация: 9956
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Цитата:
Сообщение от Samvel
And now to the point. Who is Aleksanr Roitburd? Where he learned that he graduated, who was a teacher? Viditeli, there is even a page on Wikipedia, though someone is not there now. Collection. State Tretyakovskaya Gallery, Russian Museum Educat. When he managed to get there? Of course, I guess it's dashing 90 who propihnul him there, too nebezizvestnogo Gelman. I wonder why this great Odes is not represented in the Odessa Museum of thin, or the Kiev Museum? Strangely for a man in the street, but not for the ones who can see. And why should he, these provincial museums, but it is in the MOMA in New yrke, well, as without center Pichuka. Only the man in the street can peck on the lie that is on the surface.
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And now to the point:
- Roitburd great artist. Lucy watched his show in Odessa and in the studio of about 30 (maybe more) works.
- Only the man in the street (not the one who is able to see and is on profforume) judges the artist page on Wikipedia.
- "There" Roitburd really got into the 90s - the 2000s. When he was 30 -40 years (ie held by the artist.) Forgive him, that he could not go there "shove" in 15-20 years.
- This great presents Odessa in Odessa thin. Museum since 1987 (his works are in oil on canvas and oil on canvas Sumy city of Zaporozhye. These museums provincial enough for you Samvel?)
- "Where he learned that he graduated, who was a teacher?"
He studied at the Gegamyan. Gegamyan at Saryan. Sarian at ...... etc .......
Цитата:
- I was very lucky with the environment and the teachers. While still in the children's art school in Odessa, I began taking lessons from artist Oleg Sokolov, listen to it, see the albums that he showed me. Falcons remained the only link between the avant-garde of the twenties and younger artists. And in my 14 years, he was brought home to me, showed my work. I expected to see an eccentric bearded, handsome in a beret and scarf, but in front of me stood a nondescript little man in a threadbare coat with the Order of the Patriotic War. Sokolov said that the work of talented, but lacks integrity, and boy, they say, school is necessary. References to reassure parents of the school, and I, and have agreed to study, knowing that it tells me the real abstractionist. Sokolov was a student of Theophilus Fraerman - one of the leading representatives of the Odessa avant-garde of the early 20th century. Fraerman then went to France for a long time he lived in Paris. He returned before the war and worked as curator of the Museum of Western and Eastern Art in Odessa.
Then two years later, just before the Institute, I started taking lessons with Nikolai Pavluk. It was almost the only one who lived to the time boychukist. In this case, before the end of his life he was trying to avoid talking about Boychuk.
When I entered the graphic arts department of the Odessa Pedagogical Institute, I was fortunate to study drawing at quite potryasaeyuschego painter Valery Gegamyan. He was a man with a lot of strange things, but this has created a tremendous own system of academic drawing through plastic tradition of the twentieth century. Arts led us Zinaida Borisiuk - people flawless taste. Fate decreed that on the same course in this godforsaken establishments was a lot of talented people. Among them Riabchenko Basil, Sergey Lykov, Victor Pokidanets and many other famous artists today.
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Цитата:
Valery Arutyunovich Gegamyan (April 7, 1925, p. Garni, Armenia - 2000) - Ukrainian painter of Armenian descent, teacher, founder and dean (1965-1968), art-graphic faculty of the Odessa Pedagogical Institute .
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In the early 1940s he entered the Yerevan Art College. From 1945 to 1951 he studied at the Saryan at the Yerevan Institute of Fine Arts.
From 1953 he worked as a leading artist in the section of monumental painting by CP of the USSR in Moscow, which he entered on the recommendation of Saryan.
From 1957, he lived in Birobidzhan, where he taught at a local art school.
In 1958, he moved to Makhachkala, where he taught painting, drawing and composition at the undergraduate Makhachkala Art College. M. Jemal.
Since the early 1960s, he lived and worked in Odessa. In 1964 he became the founder and dean of the art-graphic faculty of the Odessa Pedagogical Institute, where he worked for more than 20 years, from 1965 to 1988.
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Цитата:
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Сообщение от Samvel; 1071001"
Only the man in the street can peck on the lie that is on the surface.
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And then the "common people" have to take the time to refute the lies of amateurs on profforume .... <! - ~ 7 ~ ->
Цитата:
Сообщение от Eugene
p /s last work, even with wet paint, bought for ..... (Good money) buyers vote ruble (and rightly so) .. despite the howling of some of the "art lovers".
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Good job. Indeed purchased.
In the photo Roitburd bragging to Gankevich pictures of Odessa naivist Goshi (?) Fireman. Both are fans of his work. As it turned out later, the Odessa V. Ryabchenko artist he is also no stranger .... They've got such collectioners ... though passion and artists, as well as all normal people <! - ~ 1 ~ -> <! - ~ 7 ~ ->
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Right or wrong, my country — «Права она или нет, но это моя страна»..
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