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Сообщение от Lucy, 2559701"
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Dmitry Žilina
We met with Alexander Ishin in the 60's. I was teaching at the Surikov Institute, and he studied it. It was in his own happy time. We loved the old art, these artists, their teachers. Young, just graduated from university, competed, who better to do the work, remembering the commandment of Leonardo da Vinci: "The worst thing - to lose integrity."
For many years I was chairman of the youth and remember vystavkoma of Ishin. He's always bright and varied sang a Russian village, its people and was sincere in his work, expressing what he saw and felt, while having and abstract thinking.
How did Lenin: "... a specific abstract." Ishin work - this is not an open-air "as it were in the forehead." Much thought and expressed by the subconscious, based on years of experience and "artistic heritage." Even in his painting I like the open, local color - on the verge of children's perception and in the spirit of his favorite artists-primitivists. Certainly, he is entitled to his view of the world on his chanting and protection. This valuable work and Ishin. And they are valuable because they always seem powerful and expressive. As my mentor taught me Vladimir Favorsky: "That the work was not a commodity, and the" thing "and the" thing "with a capital letter. Now, alas, many young artists are more focused on the commercial success of their work - it is their main goal. Many are involved in all sorts of "kinky" to "impose" a kind of pseudo-a "different sauce." For example, to score a nail, hung his boots and write: "Mother's shoes" and it will expose. Beauty? In general, it can and funny as an anecdote, but I am in this very hard. However, I believe and understand that this art never dies, but it should be supported. How did Obrosov, Andronov, Vasnetsov, and this support must be continuity of the young artists - the main thing in any kind of art to love what you do and do it honestly. Ishin certainly possesses both - and love for his work, and the skill and honesty.