Цитата:
|
Сообщение от Fantozzi; 2555911"
Understood - your position clearly negative on the art of the period.
|
Yes that is my position. My position is simple: I love some of the "
art of the Soviet period ", but even a lot, but the talk-then we are not on the
likes /dislikes , and about investment or, if anything, less pafostno - on the art market.
By the way, I think the topic:
Цитата:
In the art world, the case of commercial developments that affect the story. About some of the auctions of contemporary art it is clear that they have been "turning" and become "legendary". That's the fair, as is quite common phenomenon in the country, for the Russian art was a remarkable event. Fair to our country as the guest of honor has occurred, such as the Madrid ARCO. But here besides eight galleries, has agreed to a separate "Russian platform," Our artists were represented by more than 20 booths of 140. Decent stats!
In weighty international environment and they looked quite well, comparing favorably to the best examples of the conceptual solution and plastic quality. Still, attended by almost all the key names, except Kabakov. Artist, which I personally think is the most important in modern Russian history - Erik Bulatov Parisian gallery Pièce Unique gave all stand. Concept selection of photos from Kharkov Boris Mikhailov occupied one of the two walls of a huge boxing Suzanne Tarasiève, another fit object of Krasnodar Recycle, whose installation "Facade" greeted the audience - but it was a lot all the days - in front of the Grand Palais. Several galleries exhibited a series of papers recently departed Vlad Mamysheva Monroe. Fair turned lively and full of discoveries that have no commute to Frieze and FIAC, so, in turn, to those no one expects "Russia at a party."
Selection of galleries "Russian platform" (Booth gallery pop /off /art was in the central area because of the Berlin branch) might seem strange and previously was criticized: Heavyweights "Regina" and "Triumph" refused to participate, but were added alien topical contexts "Erarta" and "Heritage". Absence of the first had no effect (the same Pepperstein, Callimachus and Kulik, recently featured in "Regina", was seen in Iragui, Anne de Villepoix and Rabouan Moussion respectively), while the Moscow asked Grinberg Photos (during the fair news arrived in time for inclusion Bakhareva - exactly on their side of the center - in the main project of the Venice Biennale) and St. Petersburg gallery Gisich two main masters of the Northern capital - Vitaly Pushnitsky and Kerim Ragimov.
|
(a)