Цитата:
Сообщение от Vlasta
history of eternal love ... That's great, but sad.
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I would also like to die ... so here
[color="# 666686"]Added after 59 minutes[/color]
Цитата:
Сообщение от Vlasta
It seems that before Munch them there was absolutely no case. A number of Germans were literally crying over every word recall and "Scream" and "Madonna". The question is, what the devil should this fellow in such places?!
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I understand your frustration - I would have cried. The explanation is simple. Germany - a country that has given a lot of Munch, his art there are well known: the first buyers and patrons of the artist were Germans. Until 1908 Munch lived only through orders from the Germans, and in Norway and the press criticism of his destroyed. He long resented their country for the denial. When the end of 1908 he located on treatment in Denmark, Norway, appropriated the royal award - the Order of St. Olaf - and after a big retrospective at the National Gallery of Oslo, hosted by his friend and director of the gallery during their stay in the clinic Munch, the artist has agreed to return to their country. Since that time, between Norway and Germany unfolded unofficial "competition for Munch. Number of exhibitions in both countries, held annually, was approximately equal until 1937, when the power in Germany dramatically changed the policy in the arts and culture. Munch fell into the category degerativnogo art, but because he was a foreign artist, it was advantageous to him not to burn, as poor Nolde, and sell the Norwegians. Here since Germany and lost this competition. Norway is over 90%of Munch's artistic heritage, and in Germany he was a miracle in some private collections. And it is not at all, because disavowed the German Jews, which were mainly collected by Munch, the work is not returned.